Thursday, October 25, 2007

What is Bluegrass?

Bluegrass music is a form of American roots music which has its own roots in Irish, Scottish and English traditional music. Bluegrass was inspired by the music of immigrants from the British Isles (particularly the Scots-Irish immigrants of Appalachian), as well as that of rural African-Americans, jazz, and blues. In bluegrass, as in jazz, each instrument takes a turn playing the melody and improvising around it, while the others revert to backing; this is in contrast to old-time music, in which all instruments play the melody together or one instrument carries the lead throughout while the others provide accompaniment. Bluegrass is distinctively acoustic, rarely using electrical instruments.

Bluegrass as a style developed during the mid 1940s. Because of war rationing, recording was limited during that time, and the best that can be said is that bluegrass was played some time after World War II, but no earlier. As with any musical genre, no one person can claim to have "invented" it. Rather, bluegrass is an amalgam of old-time music, blues, ragtime and jazz. Nevertheless, bluegrass's beginnings can be traced to one band. Today Bill Monroe is referred to as the "founding father" of bluegrass music; the bluegrass style was named for his band, the Blue Grass Boys, formed in 1939. The 1945 addition of banjo player Earl Scruggs, who played with a three-finger roll originally developed by Snuffy Jenkins but now almost universally known as "Scruggs style", is considered the key moment in the development of this genre. Monroe's 1945 to 1948 band, which featured Scruggs, singer-guitarist Lester Flatt, fiddler Chubby Wise and bassist Howard Watts, also known as "Cedric Rainwater," created the definitive sound and instrumental configuration that remains a model to this day.

By some arguments, as long as the Blue Grass Boys were the only band playing this music, it was just their unique style; it could not be considered a musical style until other bands began performing in similar fashion. In 1947 the Stanley Brothers recorded the traditional song "Molly and Tenbrooks" in the Blue Grass Boys' style, and this could also be pointed to as the beginning of bluegrass as a style.

Bluegrass is not and never was folk music under a strict definition; however, the topical and narrative themes of many bluegrass songs are highly reminiscent of "folk music". In fact, many songs that are widely considered to be bluegrass are older works legitimately classified as folk or old-time performed in a bluegrass style. From its earliest days to today, bluegrass has been recorded and performed by professional musicians. Although amateur bluegrass musicians and trends such as "parking lot picking" are too important to be ignored, it is professional musicians who have set the direction of the style. While bluegrass is not folk music in that strict sense, the interplay between bluegrass music and folk forms has been studied. Folklorist Dr. Neil Rosenberg, for example, shows that most devoted bluegrass fans and musicians are familiar with traditional folk songs and old-time music and that these songs are often played at shows and festivals.

Traditional bluegrass, as the name implies, emphasizes the traditional elements. Traditional bluegrass musicians are likely to play folk songs, songs with simple traditional chord progressions, and use only acoustic instruments. They generally follow the pattern set by Bill Monroe and the Bluegrass Boys in the late 1940's. In the early years, traditional bluegrass sometimes included instruments no longer accepted in mainstream bluegrass, such as washboards, mouth harps, and harmonicas. Traditional bands may use bluegrass instruments in slightly different ways (claw-hammer style of banjo playing, or multiple guitars or fiddles within a band). In this sub-genre, the guitar rarely takes the lead (the notable exception being gospel songs), remaining a rhythm instrument. Melodies and lyrics tend to be simple, and a I-IV-V chord pattern is very common.

Nationally popular traditional bluegrass bands include Ricky Skaggs and Kentucky Thunder, Dan Paisley and the Southern Grass, Ralph Stanley and the Clinch Mountain Boys, James King Band and arguably, Larry Sparks and the Lonesome Ramblers and The Del McCoury Band.

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Thursday, October 11, 2007

Recording King RK97 Engraved Gold Plated Bluegrass Banjo


The beautifully engraved Artist Deluxe model is a complete revival of the most classic Recording King banjos. With genuine gold-plated hardware, a delicate floral engraving on the hoop and armrest, and a flamed maple resonator, this is the most premium Recording King model available.

The Artist Deluxe also features a flamed maple neck, the traditional Recording King floral peghead and inlay and an authentic Mastertone-style flange.

This model combines classic pre-war style features and desirable modern touches to create a truly historical banjo. The Artist Deluxe also has a bound ebony fretboard, American Standard thread hardware, 20-hole tone ring and a 3-ply rim. Designed by Greg Rich, this model recalls the most supremely crafted banjos from the Golden Age of musical instruments.
Listen to "Cripple Creek" played on this banjo by Wil Huckabay.

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Recording King RK-80 Bluegrass Banjo


With classic pre-war style features and desirable modern touches, the Greg Rich-designed Resonator Banjo is now available from Recording King.

The Resonator Banjo (RK-R80) recalls the most supremely crafted banjos from the Golden Age of musical instruments. This model features a one-piece mahogany resonator, mahogany neck, bound rosewood fretboard, American Standard thread hardware, 20-hole tone ring and a 3-ply rim.

The RK-R80 sounds incredible, with a very harmonious bark. It also features the traditional Recording King “style 6” floral peghead and fretboard inlay and an authentic Mastertone-style flange, which has already become a Recording King best-seller.

TML product designer Greg Rich oversaw the production of these models, with quality control standards set by Scott Zimmerman.

Recording King artist Todd Taylor, who used the resonator banjo on his latest record 3-FIVE-N, says "these banjos are just out of this world.”

Banjo has been setup professionally and capo spikes installed.

Comes with Deluxe Hard Case and Free shipping in US. Lifetime Warranty to original owner.

Customer testimonials.

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Wednesday, October 03, 2007

"Where do I begin, so I can play by ear?"

"Where do I begin, so I can play by ear?" by William Sheppard

1. Pick out a simple song (not an instrumental to learn)

2. Listen to it. Not how the banjo player is playing it on the CD but how the melody goes. If you can hum it than you're ready for the next step. Even better take a non-bluegrass simple song that you already can sing, like Twinkle, Twinkle Little Star, Skip to my Lou, etc.

3. Just strum the banjo while singing the song, changing at the right chords so you know what the chord progression is. If the song is simple enough you should be able to hear where the chords change.

4. With you fingers in the full chord position play just the melody notes, most of the melody notes well be in the chord structure, if a melody note is not in the chord you are making see what finger you need to move and to where to make the correct melody note.

Don't just pick out the melody, because that by itself doesn't relate to what finger you will really be using when you actually play the song. Nor says anything about where the other left hand fingers are, nor the the relation of the melody note to the chord.

5. Now of course you want to fill in around that melody note. This is where most have problems with which fill in notes to use. So begin first by hitting the melody note and than just pinch while holding all the fingers in the chord.

Then try playing the song using just an alternating thumb roll (ex. TMTI). Next play the song using a forward roll, playing as many of the melody notes as you can within the frame work of the forward roll. Do the same thing playing with all the basic rolls (forward backward, Foggy Mt. Roll) etc. You will see that some rolls will be easier to get the melody on certain parts than another roll. Make a mental note of what roll seems to fit a particular phrase of the song the best for you.

6. Now try playing the song using the best roll that seems to fit a particular phrase of the song changing to the roll that seems to fit the next phrase of the song the best.

7. By now the song should recognizable. Next you want to imbelish it and see where you can add slides, pull-offs, hammer-on, etc. For example, if the melody is on the open 2nd string, rather than playing that you might want to play it on the 3rd string by playing a fretted 3rd string and sliding up to the 4th fret to make that melody note. Or at the end of the verse add that tag lick you learned that will bring you back to the beginning of the song. Here's where you can really experiment to come up with your version and put your style into the song. It won't sound like Earl, but it will sound like YOU.

8. At some point you'll find you don't have to go through all this to "improvise " on a song. You'll be in a jam session and will find you can find the melody notes within a chord structure without thinking about where you need to hit the string to play a certain melody note and what are you going to do next to fill in around it because you've done it so many times in your at home practice with many different songs and combinations.

9. You don't have to play all 8th notes - put in pauses, pinches, etc. If you play the first note of each measure with a pause after it, it can help in emphasizing the melody of the song.

So there you have it one technical method of answering the question "Where do I begin, so I can play by ear?"

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Tuesday, October 02, 2007

Submerged timber bridges


Do submerged timber bridges really make that much of a difference?

Absolutely! A submerged timber bridge such as a Kat-Eyz allows for much better vibration transference into the pot due to its cellular structure. You will find submerged timber bridges give you much better tone and volume.

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